Posts Tagged ‘1950s’

Supplement No. 9, September 27th 1958. Woman's Weekly Magazine in conjunction with the Bacon Information Council.

Last month I found a snazzy cookery supplement Woman’s Weekly: Bacon Cookery from 1958 in an antique store in Lyme Regis, Dorset.  It caught my eye – I am not sure how anyone could fail not to notice it in all its cholesterol-inducing Technicolor – it is vintage cookery, 1950s and I had to buy it.  The supplement is 9th in a series commissioned by Woman’s Weekly magazine and the booklet was produced in association with the Bacon Information Council.  It accompanied the September 27th, 1958 issue of Woman’s Weekly.  So why not unleash your inner suburban housewife and get cooking this weekend, 1950s style.

Bacon Stuffed Tomatoes

5 rounded tablespoonfuls of cooked, minced bacon; 5 rounded tablespoonfuls of freshly made white breadcrumbs; 6 large tomatoes; 1 egg; 2 rounded dessertspoonfuls of chopped watercress; salt and pepper.

Cut the tops off the tomatoes and scoop out the centre and the seeds of each one and put them on one sie.  Sprinkle the insides of the tomatoes with a little salt and pepper.  Mix the minced bacon, breadcrumbs and chopped watercress together. Beat the egg and add this to them with just enough juice from the tomatoes to moisten the mixture. Season it with salt, if necessary, and pepper. Stuff the tomatoes not too tightly with the filling. Replace the tops at an angle. Bake them in a moderately hot oven, Regulo Mark 5 or 375 degrees, for twenty minutes to half an hour, depending on the size of the tomatoes. Serve the tomatoes on a hot dish.

Bacon and Apple Salad

3 rashers of streaky bacon, 2 rosy dessert apples, 1/2 firm-centred cabbage.

For the French Dressing:

2 tablespoonful of salad oil, 1 tablespoonful of vinegar, salt, pepper and a pinch of sugar

Remove any discoloured leaves from the cabbage, wash it well, then dry and shred it. Wash and polish the skins of the apples and cut them into quarters, cut out the cores and slice the apple quarters fairly finely. Mix half the slices of apple with the cabbage. Mix the vinegar with a good pinch of salt, pepper and sugar, then gradually beat in the salad oil. Toss the cabbage and apple in this dressing, then heap it into a shallow bowl. Cut the rind off the bacon and remove any little pieces of bone. Cut the bacon into thin strips, and fry them briskly stirring all the time, till they are crisp and brown. Heap them on top of the salad. Surround the bacon with the remaining slices of apple.

Bacon Chops with Arnot Sauce

4 bacon chops, cut between half and threequarters of an inch thick; 1/2 oz bacon fat or dripping; 1 medium-sized onion, chopped finely; 1/4 lb mushroom stalks or mushrooms; 1/2 oz plain flour; 4 tablespoonfuls of cider; 2 tablespoonfuls of water; 2 teaspoonfuls Worcester sauce; 2 teaspoonfuls of mushroom ketchup; pepper; 2 tablespoonfuls of single cream. 

For the Garnish:

Creamed potatoes; brussel sprouts – fresh or quick-frozen.

Cut the rind off the chops and put them into a pan with cold water to cover them.  Bring them slowly to the boil without a lid, then simmer for three minutes, skimming the surface when necessary. Meanwhile, melt the dripping in a frying pan, add the chopped onion and fry it gently until it is soft and lightly browned. Wash and chop the mushroom stalks or mushrooms, add them to the onion and fry them for a few seconds. Sprinkle in the flour, then add the cider, water, Worcester sauce and mushroom ketchup. Season the sauce with pepper, then bring it to the boil. Lay the chops in an oven-proof dish and spoon the sauce over them. Cover the dish with a lid and put it into a fairly hot oven, Regulo Mark 6 or 400 degrees for ten minutes then reduce the heat to Regulo Mark 4 or 350 degrees for another half an hour. Fill a forcing bag – with a large star pipe attached – with hot, creamed potato and pipe a bed of potato in the centre of a hot dish. Arrange the chops on the potato so that they overlap slightly. Pipe stars of potato round one side of the dish. Stir the cream into the Arnot sauce and season it again, if necessary – it is unlikely to require salt. Pour the sauce across the chops. Heap the hot Brussels sprouts round the other side of the dish.

Piperade

4 rashers of streaky bacon; 4 eggs; 4 oz mushrooms; 2 large tomatoes; 4 spring onions or 1 small onion; 1 oz butter; salt and pepper; 3 plain soft rolls split, toasted and spread with butter; 2 tablespoonfuls of milk.

Break the eggs into a bowl, beat them well with a fork, then add the milk. Peel the tomatoes and cut them into quarters, remove the seeds and slice the tomato quarters, remove the seeds and add them to the egg mixture. Wash and slice the mushrooms and chop the onions rather finely. Put the butter into a saucepan and when it has melted, add the onions and mushrooms and fry them for a few minutes over a gentle heat, stirring all the time. Stir them into the egg mixture, adding a good pinch of salt and pepper. Put the mixture back into the pan and stir it over a gentle heat until the mixture thickens to the consistency of soft scrambled egg. Meanwhile, cut the rind off the bacon and cut the rashers in half, lengthways. Elongate them under a knife, then grill them for a few minutes. Arrange the buttered rolls on a dish and pour the piperade down the centre. Garnish the dish with a trellis of strips of grilled bacon.

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The Glamorous 1950s Look.

Before the War, my grandmother ran a successful hairdressing and beauty salon in Mayfair, London. Her skills were much in demand among society’s elite. She had a large movie star clientele too, being chauffeur driven to assorted penthouses and beautiful houses across the city to tend their coiffures. Some of her memories of this period are just incredible, however, she was always discreet which is why I will never publish here, any of her salon tales. I have inherited her love of hairdressing and beauty, although I never trained professionally or pursued this career path, a choice I often regret, I do have her skill and confidence when it comes to creating period hairstyles.  This posting will focus on 1940s and 1950s hair and make-up trends.

Despite austerity measures experienced during the Second World War, looking good was still as important as ever to women.   Instead of discarding lipstick ends, they were melted down, moulded into pots and re-used.  When a lipstick ran out, solid rouge was used on lips.  Soot and charcoal were often used as eye-shadow and rose petals steeped in water produced a liquid tint that would effectively colour the cheeks.  Even boot polish was used as an eyelid-darkener.  Cold creams and make-up removal creams disappeared off the market as the War continued.  Sometimes,  a small amount of lard was used on the face to remove stubborn make-up traces.

Christian Dior introduced her ‘New Look’ in Paris on 12 February, 1947.  The antithesis of wartime utility dress.  The shoulder line was softer, waists were nipped in, and skirts were long and voluminous involving lavish use of fabric which would have been impossible to have achieved during the war.  Beauty houses correspondingly produced a wide range of “New Look” cosmetics to complement this fashion.   Cosmetic advertisements at the end of the decade show an emphasis on colour and novelty packaging.  Elizabeth Arden produced a wide range of matching lipsticks and nail polish colours.  Rimmel introduced an ingenious lip colour palette which incorporated a mirror and brush.  Goya were known for their ‘Thick and Thin’ lipstick, two metal lipstick containers, one slim and one thick, joined together by a delicate chain.

Setting lotion was also difficult to obtain, sugar water was sometimes added to dampened hair before setting.  Hairpieces were popular, false braids, fringes on combs and falls of curls.  Curls remained popular until 1947. Perms were all the rage, particularly the new cold perm method.   In the mid 1940s, the topknot or doughnut emerged.  The hair was put-up all the way around from the roots into a mass of curls at the top.

Early 1940s

  • there were fewer shades, powder and lipstick was dry and flaky;
  • shortages of alcohol meant more perfume and less cologne;
  • shortages of fat, oils and the complete dearth of glycerine resulted in products with no emollients;
  • Boots No. 7 began in 1935 and continued to be popular throughout this period;
  • nail polishes were made with film scrap instead of nitro-cellulose;

Late 1940s

  • a ‘fresh young-natural look’ emerged which was less harsh.  Lipstick shades became lighter and emphasis began to shift away from the lips to the eyes;
  • Pan-Cake by Max Factor was extremely popular, it came in 6 shades and first appeared in 1947.  Max Factor used film stars for his advertisements and top French models were employed to promote his cosmetic range;
  • artificial eyelashes, fluid eyeliner, cake eyeliner, eye shadow sticks, cream shadow, waterproof creme mascara.  Eye make-up remover was now available in pads;
  • eyelash curlers began to appear;
  • Coco Chanel introduced her lipstick range;
  • beauty spots came back into fashion.

During the 1950s, the range of face powders and foundations was matched by an equal variety of lipstick, eyeshadow and nail varnish colours.  Paler lipstick tints appeared designed to enhance and contrast with the beauty of a summer tan.  Gala added titanium to their lipsticks to give them a bright white appearance on application, ‘Italian Pink’ was a favourite colour in this range.  They also manufactured a large number of mid-tone colours, ‘Sari Peach’ was one of the most popular shades. At the lower end of the price scale, Woolworths produced a more affordable lipstick line.

  • softer coloured lip shades made the mouth less noticeable and attention was now drawn toward to the eyes;
  • the range of eye shadow colours was vast.  Eye shadows were sold in cream or compressed powder which would be applied with water and brush.  Some eye shadows resembled colour crayons and were sold in metal holders.  Glitter eye shadows were created by adding fish scales to the powder;
  • colour combinations in make-up were bold, violet mascara, blue eyeliner, silver eye shadow, copper mascara with green frost shadow was popular;
  • the upper lid of the eye was emphasised by a thick black line applied using the newly fashionable liquid eye liner. The eye decoration resembled that seen in ancient Egypt;
  • natural brows were accentuated with dark pencil;
  • Audrey Hepburn’s ‘urchin’ hair-cut was very popular in the early 50s.  This drew the attention to the face’s bone structure and eyes;
  • soap ceased to be rationed in September 1950 and this made-way for all kinds of shampoos, hair tints, hair dyes and setting lotion.

Forties and fifties inspired fashion continues to dominate current British fashion trends.   The playsuit teamed with wedgy espadrilles, floral prints and tailored dresses with full skirts, flared trouser suits with halter necks all can be seen on both the catwalk and the high street.  Pattern companies are delving into their archives, recognising the obvious commercial potential of re-issuing patterns from the 40s, 50s and 60s.   Original patterns from this period are also at a premium and can be expensive.  I know this as I have recently purchased a 1952 blouse pattern and want to buy more but not at the inflated prices that some retro-retailers are charging, cashing in on the trend.  I think it is time to have another rake around my mother’s attic and see if I can find any pattern gems hidden away in a forgotten, dusty corner.

  • For more information on life in 1950s Britain, together with lots of lovely images to inspire you from the decade, then you may find my four part series on the subject to be of interest. Part One, Part Two, Part Three, Part Four.
  • In the Summer of 2010, the concept ‘Vintage at Goodward’ was launched, a blend of 40s, 50s and 60s fashion and popular culture.  For further information click here.
  • One of London’s top notch Vintage Fairs is ‘Clerkenwell Vintage Fair’ held at The Urdang, The Old Finsbury Town Hall, Rosebery Avenue, London, EC1R 4RP, 11am-4.30pm. The next three Fairs take place on Sunday 25th September, Sunday 25th October and Sunday 13th November.  For further information, click here.

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1950s room exhibit, Museum of 51 Exhibition, South Bank

If you are a fan of all things Vintage, I have two recommendations for you:

  • Vintage Life Magazine- This monthly magazine (£3.70) is perfect if you are a fan of 20s, 30s, 40s, 50s, 60s, 70s and 80s nostalgia.  Regular features on beauty, fashion, lifestyle, music and food.  Good news is that the publication is easier to source than before, since WHSmith now stock it.  I love this magazine and the classifieds section at the back is great for sourcing Vintage goods.

1950s Scarf, exhibit in the Museum of 51 exhibition, South Bank

 

  • Blitz Vintage Department Store - Opened earlier this month in London.  A huge five-room Victorian warehouse has been turned into a department store to cater for all of your vintage fashion and lifestyle needs.  Situated just off Brick Lane, 55-59 Hanbury St, London, E1 5JP. Tel: 0207 377 0730. E-mail: bricklane@blitzlondon.co.uk.

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This weekend, as part of the ongoing celebrations on the South Bank London, a Vintage Festival is taking place.  The event promises music, film, fashion, art and design from the 1920s to 1980s.  Highlights include:

  • The Vintage Marketplace
  • Pop-up catwalk shows and ‘Best in Show’ parades
  • Daily decade-specific revue shows in the Royal Festival Hall auditorium
  • 10 night clubs including Vintage favourites the Torch Club, Let it Rock and Soul Casino, plus new clubs The Studio and The Penthouse
  • Themed restaurants and bars

Jo Wood and Pearl and Daisy Lowe will be storming the runway in exclusive catwalk shows.  If you want to enter into the spirit of the occasion, then why not treat yourself to one of the decade specific make-overs.  The only question is, which decade will you choose?  I’m a Victory roll and Make Do and Mend kind of girl, I’ll make mine the 1940s I think.  

Souvenir powder compact from the 1951 Festival of Britain

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Reconstruction of a 1950s Living Room, Museum of 51, South Bank. Designed and styled by Kiera Buckley-Jones for Homes & Antiques magazine using a mix of original designs and reissued pieces. Pure pleasure for all lovers of vintage design.

A vibrant, clever and fascinating tribute to the 1951 Festival of Britain, the ‘Museum of 51′at the Royal Festival Hall is one of this Summer’s must-see exhibitions, that is if you find yourself on London’s South Bank.  Admission is free and it runs until Sunday 4th September 2011.   The exhibition is at the heart of a wider programme of events and celebrations happening right along the South Bank to celebrate 60 years since the 1951 Festival took place there.   The Festival of Britain had a number of themed exhibitions all over London, but the South Bank was its principal exhibition site.  All that remains today of the original Festival is The Royal Festival Hall.  The ‘Museum of 51′  exhibition is designed by Wayne and Gerardine Hemingway.

The 1951 Festival of Britain was an event designed to boost the morale of a struggling post-war Britain, be a celebration to mark the end of the Second World War and a practical exercise in urban-regeneration on the South Bank of the Thames, which had become a derelict slum.   Oh, of course, there was also pressure to mark the anniversary of Prince Albert’s Great Exhibition, which took place at Crystal Palace in 1851.   The Skylon was the site’s most iconic symbol, a beacon of hope, rising into the air without any visible means of support. The makers of the Skylon described the structure as having “….no purpose, it’s not functional in any way, it does not light the festival, it burns with its own inner light.  It’s not even a phallic symbol or totem pole…It has no social significance; it does not stand for democracy, freedom, progress or future happiness.  It doesn’t stand at all!”  At the base of the Skylon there were 30 sculptures and 50 murals.

Exhibits from the Carousel of Souvenirs, Museum of 51 Exhibition, South Bank.

The ‘Museum of 51′ exhibition provides a fascinating insight into the history and background of the original Festival.  You can read oral history testimonies from those who remember or were involved with it,  see Festival memorabilia, films, photographs and artworks.  There is also a charming reconstruction of a 1950s themed room (see image at top), designed by BBC Homes and Antiques magazine which should prove a draw for all fans of retro and vintage trends.

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