Among the shared landmarks of this [cultural] terrain are ruins, fields, pits, fringes, relics, buried objects, hilltops, falcons, demons and deep pasts….. suppressed forces pulse and flicker beneath the ground and within the air (capital, oil, energy, violence, state power, surveillance), waiting to erupt or to condense.
In music, literature, art, film and photography, as well as in new and hybrid forms and media, the English eerie is on the rise. A loose but substantial body of work is emerging that explores the English landscape in terms of its anomalies rather than its continuities, that is sceptical of comfortable notions of “dwelling” and “belonging”, and of the packagings of the past as “heritage”, and that locates itself within a spectred rather than a sceptred isle.
Given the renewed interest in British landscape art, this retrospective of Ward’s work could not be more timely. English Idyll features paintings and prints by Ward, an acknowledged master of British landscape art. The exhibition will reveal a vanished England of bustling wharfs and ramshackle buildings. Ward’s evocative etchings, lithographs, linocuts and wood engravings capture a disappearing world of tranquil countryside and bustling waterways.
Ward was also an accomplished painter in oils and watercolour, capturing the chalk cliffs, ruins and architectural oddities of an England that would have been familiar to Thomas Hardy (1840-1928) or Charles Dickens (1812-1870). His monochrome prints reveal a mastery of atmosphere, light and shade.
Views of Poole Harbour and the Isle of Purbeck reflect his love of the Dorset landscape, but he travelled widely in search of pastoral subjects and took delight in the decaying buildings of Britain’s historic towns. His passion for working boats and industrial architecture took him to the Thames, Medway and Humber. He is perhaps little known outside Dorset, but this exhibition confirms his position as one of England’s most significant 20th century painter-printmakers.
Ward began his art training by winning a scholarship to the Drummond Road Art school in Bournemouth, a town he spent most of his life in. He lived at 22 Grants Avenue, Springbourne area), and taught at the Municipal College of Art; he was also a leading member of the Bournemouth Arts Club. Probably best known as a very fine etcher, he was elected a member of the Royal Society of Painter Etchers (RE) in 1936 and exhibited regularly at the Royal Academy.
Ward was a very tall austere character who often wore cloaks and flamboyant hats. He was also a good friend of artist Eustace Nash (1886-1969). Both were often seen together in the Bournemouth and Poole area during the 1950’s and 60’s, between them they produced many drawings, paintings and etchings of the region.
English Idyll runs from 25th April-6th June at St. Barbe Museum and Art Gallery, Lymington, Hampshire (http://www.stbarbe-museum.org.uk). Opening hours: Monday-Saturday 10am-4pm. Admission charges apply.
Goose Revival at Taste of London Winter Food Festival 2014
I recently appeared at Taste of London Winter food Festival 2014, Tobacco Dock alongside Michelin Chef Adam Gray. The theme of this year’s event was ‘Forgotten Foods’. Looking at ingredients, techniques and skills form the past that are not as commonly used today. Remembering what our great grandparents and previous generations cooked. Chefs were encouraged to use wild British ingredients that are often ignored or simply just not readily available in supermarkets today. For more information about this year’s Taste of London Winter food Festival, click here.
Chef Adam Gray cooked breast of goose with caramelised apples and shredded Savoy cabbage. Chef Gray also used bespoke iron pains made by Netherton Foundry in South Shropshire, birthplace of the European Industrial Revolution (http:/www.netherton-foundry.co.uk/). Beautiful, heritage cooking equipment, the level of craftsmanship displayed in these pans is outstanding. Chef Gray found them a joy to cook with.
Although Chef Gray used apple, other fruits that work well with goose are quince, blackberries, gooseberries or any fruit that has a high acid content to help cut through the richness of the meat. Apples have always been a popular accompaniment for goose, I found references to this fact in several of my Victorian cookbooks, including Alexis Soyer (1810-1858) in his Shilling Cookery For The People. Chef Gray also suggests cooking goose over a tray filled with apple juice which helps infuse the meat with a sharp and sweet flavour.
Cabbage was domesticated in Europe before 1000 BCE and revered by Romans and Greeks. Savoy cabbage first appeared in Europe during the sixteenth century. This humble brassica thrives in Britain’s nutrient rich soils and has always been a peasant dish staple. Brassicas are hardy vegetables but no species of cabbage survives in a wild state.
In Medieval Britain, people were nervous about eating cabbage as it was considered to be bad for you, probably due to its gas-inducing qualities! Medieval cooks were encouraged to boil the vegetable well and add oil, marrowbone or egg yolks to soften the texture. Chef Gray continued with the tradition of making cabbage more digestible by shredding it very finely and adding a butter emulsion. I can promise you there was not a hint of school canteen cabbage hanging in the air at Taste of London last week.
Traditionally, goose would have been cooked over an open fire, probably using a spit, turned by hand. This method continued to be used in poorer households until kitchen ranges/half ranges then cookers became cheaper and more widely available. Cooking meat over an open fire gradually declined in popularity before World War One. If the spit mechanism had a treadmill as opposed to a spit/roast jack (nickname for an odd job man), dogs or even geese were put to work keeping the wheel turning. Geese are hardy creatures and were known to work the treadmill for twelve hours at a time.
Sadly, goose is now considerably more expensive than turkey and because of this many home cooks shy away from buying it at Christmas. A 7kg goose can cost around £100 and a turkey of the same weight usually costs £65 (retail prices based on free-range birds, Christmas 2014). The meat-to-carcass ratio for goose is lower than turkey and in these cash-strapped times, getting more bang for your buck, so to speak, is in the forefront of most of our minds.
However, I do believe the tide is beginning to turn in favour of goose. Growing interest in reviving British heritage foods is fuelling this trend as well as a realisation that eating goose is more humane, the animals are not intensively reared and are usually free-range. The price of meat, like so many other foods, is dictated by inflation as well as supply and demand. If more people want goose on their Christmas table, as opposed to turkey, prices will drop.
Geese are very cheap to keep, live by grazing and don’t need expensive grain, making them a greener choice for the environmentally conscious cook. Their eggs make spectacular omelets and their feathers can be used for stuffing cushions or for the creative among you, turning into quill pens. We all know that goose fat makes the best roast potatoes.
In my opinion, goose is a far tastier meat than turkey. Goose is not just for Christmas, it can be enjoyed throughout Autumn and Winter. Gressingham, well-known for their duck meat, also sell goose. Their Geese are grown free-range on farms in East Anglia, from early summer until autumn, there they graze on grass as well as eat a mix of wheat and soya with vitamins and minerals. For more information about Gressingham Goose, including recipes, click here.
Goose has always been associated with deep Winter feasts and its origin goes back as far as ancient Egypt. According to Greek historian Herodotus (484 BCE – 425 BCE), geese stay with their young in the most imminent danger, at the risk of their own lives. The goose of the Nile was Velpansier and when geese appear on walls of temples they are often painted in bright colours. Egyptian mythology classifies goose under the care of goddess Isis. Along with the ram and bull, goose is also a symbol of the creator-god, Amun/Amen.
Goose comes into season around the Christian feast of Saint Michael the Archangel, or Michaelmas (29th September). This type of goose was often known as ‘green goose’ due to the fact it had been raised on grass (‘green’) and was fairly lean. Eating goose at Michaelmas dates back to Elizabeth I (1533-1603) who is said to have dined on one at the table of an English baronet, when news of the defeat of the Spanish Armada reached her. In commemoration of this event, she commanded goose make its appearance at table on every Michaelmas. Alfred Suzanne, in his book La Cuisine Anglaise, writes of this historic event:
The principal dish that day was roast goose, to which the Queen, it is said, was particularly partial, and in an excited outburst of patriotism and… gourmandism, she decreed that this glorious occasion be commemorated by serving roast goose on the day every year.
The Harvest goose or Martinmas goose comes into season around the time of Saint Martin’s feast, 11th November. This goose is fattened on grain (wheat or barley) and is plumper and meatier as a result. This is the bird traditionally served at Christmas time.
Unlike today, goose was once cheaper and more widely available than turkey which was expensive. The turkey came to Europe from Mexico in about 1541, brought in by Spanish and West African traders. In Victorian England, turkey gradually replaced beef and goose at the Christmas dining table. Ever since Victorian times, the trend for having turkey at Christmas time has remained, thus nudging the poor old goose out of the picture. Victorians liked to stuff their goose with sage and onion.
Evidence of this can be found in A Christmas Carol (1843) by Charles Dickens. Bob Cratchit and his family tuck-in to the traditional Victorian fayre of goose. The Cratchits are poor, so goose is the proud centrepiece of their Christmas dinner. However, following his epiphany, Scrooge wants to lavish gifts upon employee Bob Cratchit and family. One of these luxury items is a prize turkey, only meat that the wealthy could afford in Victorian England:
Then up rose Mrs. Cratchit, Cratchit’s wife, dressed out but poorly in a twice-turned gown, but brave in ribbons, which are cheap and make a goodly show for sixpence; and she laid the cloth, assisted by Belinda Cratchit, second of her daughters, also brave in ribbons; while Master Peter Cratchit plunged a fork into the saucepan of potatoes, and getting the corners of his monstrous shirt collar (Bob’s private property, conferred upon his son and heir in honour of the day) into his mouth, rejoiced to find himself so gallantly attired, and yearned to show his linen in the fashionable Parks. And now two smaller Cratchits, boy and girl, came tearing in, screaming that outside the baker’s they had smelt the goose, and known it for their own; and basking in luxurious thoughts of sage and onion, these young Cratchits danced about the table, and exalted Master Peter Cratchit to the skies, while he (not proud, although his collars nearly choked him) blew the fire, until the slow potatoes bubbling up, knocked loudly at the saucepan-lid to be let out and peeled.
“What has ever got your precious father then?” said Mrs. Cratchit. “And your brother, Tiny Tim! And Martha warn’t as late last Christmas Day by half-an-hour?”
“Here’s Martha, mother!” said a girl, appearing as she spoke.
“Here’s Martha, mother!” cried the two young Cratchits. “Hurrah! There’s such a goose, Martha!”
Such a bustle ensued that you might have thought a goose the rarest of all birds; a feathered phenomenon, to which a black swan was a matter of course—and in truth it was something very like it in that house. Mrs. Cratchit made the gravy (ready beforehand in a little saucepan) hissing hot; Master Peter mashed the potatoes with incredible vigour; Miss Belinda sweetened up the apple-sauce; Martha dusted the hot plates; Bob took Tiny Tim beside him in a tiny corner at the table; the two young Cratchits set chairs for everybody, not forgetting themselves, and mounting guard upon their posts, crammed spoons into their mouths, lest they should shriek for goose before their turn came to be helped. At last the dishes were set on, and grace was said. It was succeeded by a breathless pause, as Mrs. Cratchit, looking slowly all along the carving-knife, prepared to plunge it in the breast; but when she did, and when the long expected gush of stuffing issued forth, one murmur of delight arose all round the board, and even Tiny Tim, excited by the two young Cratchits, beat on the table with the handle of his knife, and feebly cried Hurrah!
There never was such a goose. Bob said he didn’t believe there ever was such a goose cooked. Its tenderness and flavour, size and cheapness, were the themes of universal admiration. Eked out by apple-sauce and mashed potatoes, it was a sufficient dinner for the whole family; indeed, as Mrs. Cratchit said with great delight (surveying one small atom of a bone upon the dish), they hadn’t ate it all at last! Yet every one had had enough, and the youngest Cratchits in particular, were steeped in sage and onion to the eyebrows! But now, the plates being changed by Miss Belinda, Mrs. Cratchit left the room alone—too nervous to bear witnesses—to take the pudding up and bring it in.
Scrooge buys a turkey for the Cratchits:
“It’s Christmas Day!” said Scrooge to himself. “I haven’t missed it. The Spirits have done it all in one night. They can do anything they like. Of course they can. Of course they can. Hallo, my fine fellow!”
“Hallo!” returned the boy.
“Do you know the Poulterer’s, in the next street but one, at the corner?” Scrooge inquired.
“I should hope I did,” replied the lad.
“An intelligent boy!” said Scrooge. “A remarkable boy! Do you know whether they’ve sold the prize Turkey that was hanging up there?—Not the little prize Turkey: the big one?”
“What, the one as big as me?” returned the boy.
“What a delightful boy!” said Scrooge. “It’s a pleasure to talk to him. Yes, my buck!”
“It’s hanging there now,” replied the boy.
“Is it?” said Scrooge. “Go and buy it
(A Christmas Carol by Charles Dickens (1812-1870), Staves Three and Four, 1st edition, 1843)
The brilliant American chef, Julia Child (1912-2004), shows you how to roast your goose. The French Chef was a television cooking show created and hosted by Julia Child and produced and broadcast by WGBH, the public television station in Boston, Massachusetts, from February 11, 1963 to 1973. It was one of the first cooking shows on American television. All rights belong to the Cooking Channel. Uploaded to You Tube 8.3.13.
According to Larousse Gastronomique (1961), the Toulouse goose, from the Garonne basin in France can reach a weight of between and 10 and 20 kilos after fattening. This bird carries its body almost perpendicularly; its behind, called ‘artichoke’, drags on the ground even before the fattening process. The skin covering its breast is loose and slack, forming a lappet, or wattle, which constitutes a veritable fat store. This variety of goose is used in the south-west of France for the Confit d’oie and the livers are used for pâtés de foie gras with truffles.
Nottingham Goose Fair (1947) by British Pathé. The fair is still held during the first week in October. In 1284, the inaugural fair took place and apart from 1646 (bubonic plague) and throughout the two World Wars, has taken place annually for over seven hundred years. Originally the fair was a celebration that coincided with flocks of geese being driven from Lincolnshire to be sold in Nottinghamshire. Uploaded to You Tube 13.4.14.
Fascinating Facts About Goose
Italians Goosestep For Hitler (1938) by British Pathé. Uploaded to You Tube 13.4.14.
Goosestep is a distinct marching step originating from mid eighteenth century Prussian military drills. This manoeuvre reminded soldiers how geese often stood on one leg, hence the nickname. Many military organisations today, across the world, still use this marching style.
Nursery Rhyme ‘Goosey, Goosey Gander’ is from 1784 but its origins can be traced back to the sixteenth century England when Catholics faced persecution and men of the cloth had to hide in ‘Priest Holes’. ‘Goosey, goosey gander’ also implies something unpleasant may well happen to anyone not saying their prayers:
Goosey, goosey gander,
Whither shall I wander?
Upstairs and downstairs
And in my lady’s chamber;
There I met an old man
Who would not say his prayers;
I took him by the left leg
And threw him down the stairs.
Goose bumps, medical term cutisanserina occurs when you experience cold or strong emotions. Goose feathers grow from stores in the epidermis which resemble human hair follicles. When goose feathers are plucked, the bird’s skin has protrusions where the feathers once were, these resemble the bumps on human skin following cold or strong emotions.
Goose bumps , in Elizabethan times, if someone said; ‘I’ve been bitten by the Winchester goose’, this meant that they had contracted syphilis. A ‘goose bump’ was the first tell-tale sign on the skin that you had contracted the pox. The Winchester Geese were prostitutes that plied their trade in South London, Bankside close to The Globe. This land was owned by the Bishops of Winchester. Brothels in Bankside were known as ‘stews’. In the sixteenth century there were eighteen recorded ‘stews’ in the area. These establishments provided the clergy with a regular income stream. Pandarus (a lecherous old man) in Troilus and Cressida (1602) by William Shakespeare: ‘My fear is this/ Some galled goose of Winchester would hiss/ Till then I’ll sweat and seek about for eases/ And at that time, bequeath you my diseases/’.
Herd geese in London – If you are a Freeman of London you are allowed to herd a gaggle of geese down Cheapside. This is according to an old book of traditional ceremonies and privileges granted to those who have The Freedom of the City of London. This book dates back to 1237.
Historical Recipes For Goose
Georgian Era Recipe for Preparing Goose
Singe a goose, and pour over it a quart of boiling milk. Let it continue in the milk all night, then take it out, and dry it well with a cloth. Cut an onion very small with some sage, put them into the goose, sew it up at the neck and vent, and hang it up by the legs till the next day; then put it into a pot of cold water, cover it close, and let it boil gently for an hour. Serve it up with onion sauce.
To Marinate A Goose
The Experienced English Housekeeper by Elizabeth Raffald (1786)
Cut your goose up the back bone, then take out all the bones, and stuff it with forcemeat and sew up the back again, fry the goose a good brown, then put it into a deep stew-pan with two quarts of good gravy and cover it close, and stew it two hours, then take it out and skim off the fat, add a large spoonful of lemon pickle, one of browning, and one of red wine, one anchovy shred fine, beaten mace, pepper and salt to your palate, thicken it with flour and butter, boil it a little, dish up your goose, and strain your gravy over it. NB. Make your stuffing thus, take ten or twelve sage leaves, two large onions, two or three large sharp apples, shred them very fine, mix them with the crumbs of a penny loaf, four ounces of beef marrow, one glass of red wine, half a nutmeg grated, pepper, salt and a little lemon peel shred small, make a light stuffing with your yolks of four eggs, observe to make it one hour before you want it.
Eighteenth Century Receipt Book – Boiled Goose With Celery Sauce
When your goose has been seasoned with pepper and salt for four or five days, you must boil it about an hour; then serve it hot with turnips, carrots, cabbage or cauliflower; tossed up with butter. The goose would have been hanging in the dairy or game larder with a north aspect for five days or even longer (depending on the outdoor temperature) so that its flesh would have become more tender and developed flavour in that time.
To make celery sauce, take a large bunch of celery, wash it, pare it, very clean, cut it into little thin bits and boil it softly in a little water until it is tender; then add a little beaten mace, some nutmeg, pepper and salt; thickened with a good piece of butter rolled in flour; then boil it up and pour it in your dish. You may make it with cream thus; boil your celery as above and add some mace, nutmeg, and a piece of butter as big as a walnut rolled in flour and 1/2 pint of cream; boil them all together, and you may add if you will a glass of white wine.
Eighteenth Century Receipt Book – Sauce for Green Goose
Take some melted butter, put in a spoonful of the juice of sorrel, a little sugar, a few coddled gooseberries, pour it into your sauceboats and send it to table.
To Dress a Green Goose
Mrs Beeton’s Book of Household Management (1869 edition)
Ingredients: Goose, 3 oz of butter, pepper and salt to taste. Mode [Method]: Geese are called green when they are about four months old, and should not be stuffed. After it has been singed and trussed, put into the body a seasoning of pepper and salt, and the butter to moisten it inside. Roast before a clear fire for about 3/4 hour, froth and brown it nicely, and serve with a brown gravy, and, when liked, gooseberry-sauce. This dish should be garnished with water-cresses [watercress].
Hashed Goose (Cold Meat Cookery)
Mrs Beeton’s Book of Household Management (1869 edition)
Ingredients: The remains of cold roast goose, 2 onions, 2 oz of butter, 1 pint of boiling water, 1 dessertspoonful of flour, pepper and salt to taste, 1 tablespoonful of port wine, 2 tablespoonfuls of mushroom ketchup.
Mode [Method]: Cut-up the goose into pieces of the size required; the inferior joints, trimmings, etc, put into a stewpan to make the gravy; slice and fry the onions in the butter of a very pale brown; add these to the trimmings, and pour over about a pint of boiling water; stew these gently for ¾ hour, then skim and strain the liquor. Thicken it with flour, and flavour with port wine; add a seasoning of pepper and salt, and put in the pieces of goose; let these get thoroughly hot through, but do not allow them to boil, and serve with sippets of toasted bread.
There are not many weeks left now until the second series of ITV’s hugely successful and simply brilliant Downton Abbeyreturns to our tv screens. I believe that the first episode is due for transmission on Sunday 18th September. The first series ended at the outbreak of World War One on 4th August 1914. The second series continues the story in 1916, two years into the Great War. In the second series Downton Abbey is converted into a Military Hospital for wounded servicemen.
I am looking forward to bringing you some Mrs Beeton tie-ins to help bring life below stairs to life. My edition of Mrs B’s book is from 1915 and contains lengthy advice for the cook (including kitchen-maid duties), the housekeeper, the butler, domestic servants and their duties. I thought I would whet your appetite and bring you Mrs B’s advice for ‘The Housekeeper – Chapter II’ together with her recipe for candied peel. One of the suggested evening occupations for the housekeeper was to make candied peel:
Duties and Responsibilities
‘As second in Command in the House, except in large establishments, where there is a house-steward, the housekeeper must consider herself as the immediate representative of her mistress, and bring to her work all the qualities of honesty, industry, and vigilance which could be expected of her if she were at the head of her own family. Constantly striving to promote the prosperity of the household, she should oversee all that goes on in the house, that every department is thoroughly attended to, and that the servants are comfortable, at the same time that their various duties are properly performed. Cleanliness, punctuality, and method are essentials in the character of a good housekeeper. Without these qualities, no household can be well-managed. Order again, is indispensable; by it we provide that “there should be a place for everything, and everything in its place.” A necessary qualification for a housekeeper is that she should thoroughly understand accounts. She will have to write in her books an accurate account of all sums paid for any and every purpose, the current expenses of the house, tradesmen’s bills, wages, and many miscellaneous items. The housekeeper should make a careful record of every domestic purchase whether brought for cash or not. An intelligent housekeeper will by this means be able to judge of the average consumption of each article in the household; and to prevent waste and carelessness.’
The Housekeeper’s Room
‘The Housekeeper’s room is generally made use of by the lady’s-maid, butler and valet, who take there their breakfast, tea and supper. The lady’s-maid will also use this apartment as a sitting-room, when not engaged with duties which would call her elsewhere. In different establishments, according to their size, means and expenditure of the family, different rules, of course, prevail. For instance, in mansions where great state is maintained, and there is a house-steward, two distinct tables are kept, one in the steward’s room for the principal members of the staff, the second in the servants’ hall for other domestics. At the steward’s dinner-table, the steward and housekeeper preside; and here, also, may be included the lady’s-maid, butler, valet.’
‘In the evening, the housekeeper will often busy herself with the necessary preparations for the next day’s duties. At times, perhaps attention will have to be paid to the preparation of lump-sugar, spices, candied peel, the stoning of raisins, the washing, cleansing, and drying of currants, etc. The evening, too, is the best time for attending to household and cash accounts, and making memoranda of any articles she may require for her store-room or other departments.’
Recipe for Candied Peel
‘There are three kinds of candied peel, viz. citron, lemon, and orange, the mode of preparation being in all cases practically the same. The rinds of sound young fruit are cut lengthwise in halves, freed from pulp, boiled in water until soft, and afterwards suspended in strong cold syrup until they become semi-transparent. Finally, they are slowly dried in a stove or in a current of hot air.’